LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD
Named one of NPR's Books We Love

“How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love—but what about our friends ? Those homies who are there all along—cheering for us and reminding us that love is abundant.”

In this groundbreaking collection of poems, José Olivarez explores every kind of love—self, brotherly, romantic, familial, cultural. Grappling with the contradictions of the American Dream with unflinching humanity, he lays bare the ways in which “love is complicated by forces larger than our hearts.”

Whether readers enter this collection in English or via the Spanish translation by poet David Ruano González, these extraordinary poems are sure to become beloved for their illuminations of life—and love.

“¿Cuántas malas parejas han inspirado poemas? ¿Cuántos crush es? Sin faltarle el respeto al amor romántico—pero ¿qué hay de los amigos? Esos compas que están ahí todo el tiempo—animándonos y recordándonos que elamor es abundante”.

En esta innovadora colección de poemas, José Olivarez explora cada tipo de amor—el propio, fraternal, romántico, familiar, cultural. Lidiando con las contradicciones del sueño americano, con una humanidad inquebrantable, deja al descubierto las maneras en que “el amor se va complicando por fuerzas más grandes que nuestros corazones”.

Ya sea que los lectores entren a esta colección en inglés o a partir de la traducción al español del poeta David Ruano González, estos extraordinarios poemas serán amados seguramente por sus iluminaciones sobre el amor y la vida.

Finalist for the National Book Award and the National Book Critics Circle Award in Poetry

One of the New York Times Critics' Top Books of 2018

A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead

"Sonnets that reckon with Donald Trump's America." -The New York Times

In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the country's past and future eras and errors, its dreams and nightmares. Inventive, compassionate, hilarious, melancholy, and bewildered--the wonders of this new collection are irreducible and stunning.

A New York Times Bestseller, chosen as Oprah's "Books That Help Me Through" for Oprah's Book Club

“No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem.” —The Washington Post

“It’s as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration.” —Chicago Tribune

Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career.

Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

Each day after school, Mohammed El-Kurd's grandmother welcomed him at the door of his home with a bouquet of jasmine. Her name was Rifqa--she was older than Israel itself and an icon of Palestinian resilience.With razor-sharp wit and glistening moral clarity, El-Kurd lays bare the brutality of Israeli settler colonialism. His poems trace Rifqa's exile from Haifa to his family's current dispossession in Sheikh Jarrah, Jerusalem, exposing the cyclical and relentless horror of the Nakba.El-Kurd's debut collection definitively shows that the Palestinian struggle is a revolution, until victory.

A powerful, moving anthology that celebrates the breadth of Native poets writing today.

Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.

This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.

A national bestseller in Canada, hailed by The New York Times as an “intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others.”

“Required reading.”—Glennon Doyle, #1 bestselling author of Untamed

A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR

What happens when we imagine loving the people—and the parts of ourselves—that we do not believe are worthy of love?

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she’s always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.

But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she’d built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems—and whether there’s a difference—she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

A powerful meditation on Blackness, beauty, faith, and the force of law, from the beloved award-winning author of Digest and Air Traffic

Elegant, profound, and intoxicating—Spectral Evidence, Gregory Pardlo’s first major collection of poetry after winning the Pulitzer Prize for Digest, moves fluidly among considerations of the pro-wrestler Owen Hart; Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials; MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department (“flames rose like orchids . . . / blocks lay open like egg cartons”); and more.

At times cerebral and at other times warm, inviting and deeply personal, Spectral Evidence compels us to consider how we think about devotion, beauty and art; about the criminalization and death of Black bodies; about justice—and about how these have been inscribed into our present, our history, and the Western canon: “If I could be / the forensic dreamer / . . . / . . . my art would be a mortician’s / paints.”

The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong

"Take your time with these poems, and return to them often.” —The Washington Post

How else do we return to ourselves but to fold
The page so it points to the good part
 
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.
 
The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

Richard Wright, one of the early forceful and eloquent spokesmen for black Americans, author of Native Son and Black Boy, was also, it turns out, a major poet. During the last eighteen months of his life, he discovered and became enamored of haiku, the strict seventeen-syllable Japanese form. Wright became so excited about the discovery that he began writing his own haiku, in which he attempted to capture, through his sensibility as an African American, the same Zen discipline and beauty in depicting man's relationship, not to his fellow man as he had in his fiction, but to nature and the natural world. In all, he wrote over 4,000 haiku, from which he chose, before he died, the 817 he preferred. Rather than a deviation from his self appointed role as spokesman for black Americans of his time, Richard Wright's haiku, disciplined and steeped in beauty, are a culmination: not only do they give added scope to his work but they bring to it a universality that transcends both race and color without ever denying them.

Following the success and momentum of his anthology How to Love the World (93,000 copies in print), James Crews's new collection, The Path to Kindness, offers more than 100 deeply felt and relatable poems from a diverse range of voices including well-known writers Julia Alvarez, Marie Howe, Ellen Bass, Naomi Shihab Nye, Alberto Ríos, Ross Gay, and Ada Limón, as well as new and emerging voices. Featured Black poets include January Gill O’Neil, Tracy K. Smith, and Cornelius Eady. Native American poets include Kimberly Blaeser, Joy Harjo (current U.S. Poet Laureate), and Linda Hogan. The collection also features international voices, including Canadian poets Lorna Crozier and Susan Musgrave. Presented in the same perfect-in-the-hand format as How to Love the World, the collection includes prompts for journaling and exploration of selected poems, a book group guide, bios of all the contributing poets, and stunning cover art by award-winning artist Dinara Mirtalipova. A foreword by Danusha Laméris, along with her popular poem "Small Kindnesses," is also included. 
 

Elegiac and powerful, Ancient Light uses lyric, narrative, and concrete poems to give voice to some of the most pressing ecological and social issues of our time.

With vision and resilience, Kimberly Blaeser’s poetry layers together past, present, and futures. Against a backdrop of pandemic loss and injustice, MMIW (Missing and Murdered Indigenous Women), hidden graves at Native American boarding schools, and destructive environmental practices, Blaeser’s innovative poems trace pathways of kinship, healing, and renewal. They celebrate the solace of natural spaces through sense-laden geo-poetry and picto-poems. With an Anishinaabe sensibility, her words and images invoke an ancient belonging and voice the deep relatedness she experiences in her familiar watery regions of Minnesota.

The collection invites readers to see with a new intimacy the worlds they inhabit. Blaeser brings readers to the brink, immerses them in the darkest regions of the Anthropocene, in the dangerous fallacies of capitalism, and then seeds hope. Ultimately, as the poems enact survivance, they reclaim Indigenous stories and lifeways.

A Most Anticipated Book of 2021 by Oprah Magazine • Time •  Vogue • Vulture • Essence • Elle • Cosmopolitan • Real Simple • Marie Claire • Refinery 29 •  Shondaland • Pop Sugar • Bustle • Reader's Digest 

“Nothing short of sublime, and the territory [Mans'] explores...couldn’t be more necessary.”—Vogue
From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity.
 
With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America—and the painful, joyous path to adulthood as a young, queer Black woman.

Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

U.S. Poet Laureate and winner of the 2022 Academy of American Poets Leadership Award Joy Harjo examines the power of words and how poetry summons us toward justice and healing

"Her enduring message--that writing can be redemptive--resonates: 'To write is to make a mark in the world, to assert "I am."' The result is a rousing testament to the power of storytelling."--Publishers Weekly

"Harjo writes as if the creative journey has been the destination all along."--Kirkus Reviews

In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author's life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory--in both the private, individual journey and as a vehicle for prophetic, public witness.

Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure--to inscribe the story, again and again, of who we have been, who we are, and who we can be.

Winner of the 2018 Yale Series of Younger Poets prize

How can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.
 
These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

Playland : Mission and outpost ; The angel of indifference ; The haymarket ; Playland ; Napoleon club ; The angel of desolation ; Lakeview sojourn ; Western avenue ; Straight, no chaser ; Je te veux ; The angel of necessity ; One revolution ; A sonnet to Tyson Beckford ; Nights of 1985 ; Serenade ; Elegy: Boston ; Night tea ; Herring Cove Beach, 1997 ; Suit ; on receiving a letter back stamped "deceased" ; Phone book ; The art theater, 1986 ; The angel of improvisation ; Lines -- The Lost World : Try to remember that South African Man ; Oh little butch queen, don't try it ; You have smallish hands for a brother ; A jail cell, gin & tonic ; You again, under better circumstances ; Folks are right, my nose was wide open ; In the warm, sunlit room, talking of brotherhood ; Those sleepy eyes get me every time ; This is a kiki, not an interrogation ; On their knees in the whispering grottoes ; His serpentine tongue is a vein of joy ; The moon drapes my arm, he's drowsing ; How many times can you circle the block ; From one end of the room to the other ; Everybody sets it off live in here ; After what seems like an eternity, he reappears ; If I don't call my Basque friend ; These days, these days -- Ten Things I do Every Day : Gift ; Ten things I do every day ; Why I love my father ; Tú no lo recuredas ; Postcard: ardor ; Postcard: decadence ; Postcard: the square ; Postcard: blue solitude ; Postcard: the march ; A report on the "What's American about American Poetry?" ; Conference at the new school ; Recuerdas ; Winter elegy ; Recuerdas ; "The sould is always beautiful" ; "Post-black" ; Punks -- Trees : Tree ; Sun ; Song ; Scatter ; When ; Solitary ; Water ; August -- Manzanita : Origins ; Manzanita ; Letter to my sister (St. Charles, Mo, 1885) ; Cecil's consolation ; The spotters ; Blues ; Portrait of the father as a young GI ; Vision: 1966 -- Dark to Themselves : Underground ; Field study: Banneker at 70 ; Martin de Porres ; Vesey on the eve ; Carver, one evening, in Tuskegee ; Alain Locke in Stoughton Hall ; Jackie Robinson in Sportsman's Park, 1949 ; Ionisation ; Apostate ; Blue gal blues ; Dark to themselves ; Hammering (April 18, 1974) ; Dear Trane (lecture on something) ; Blackness -- Words : Words ; Ray Johnson suite ; Black(en) ; Pulse ; Mirror ; Grind ; Beatitude.